We consider an ornamental sign language of first order where principles of sieve displacement, of asymmetric building blocks as a base of ornament symmetry, color exchangeability and side equivalence principles work. Generic aspects of sieve and a genesis of ornamental pattern and ornament signs in it are discussed. Hemiolia principle for ornamental genesis is introduced. The discoverer of most of these principles were artist Modris Tenisons [4, 5, 6, 7 (refs. 23, 24), 8 (ref. 65)]. Here we apply a systematical research using simplest mathematical arguments. We come to conclusions that mathematical argument in arising ornament is of much more significance than simply symmetries in it as in an image. We are after to inquire how ornament arises from global aspects intertwined with these local. We raise an argument of sign’s origin from code rather from image, and its eventual impact on research of ornamental patterns, and on research of human prehension of sign and its connection with consciousness.
Comments: 19 Pages. Corrected version
Unique-IP document downloads: 896 times
Vixra.org is a pre-print repository rather than a journal. Articles hosted may not yet have been verified by peer-review and should be treated as preliminary. In particular, anything that appears to include financial or legal advice or proposed medical treatments should be treated with due caution. Vixra.org will not be responsible for any consequences of actions that result from any form of use of any documents on this website.
Add your own feedback and questions here:
You are equally welcome to be positive or negative about any paper but please be polite. If you are being critical you must mention at least one specific error, otherwise your comment will be deleted as unhelpful.