Authors: Joel M WIlliams
Comments: 4 Pages.
Based on the chemistry of minerals, Petrie's "Infamous Core #7" is shown to have been produced easily by milling techniques far less advanced than those espoused to exceed modern milling technolog
Authors: Giorgio Fabretti
Comments: 8 Pages. The synthetic results of the March 6th 2015 meeting on "How to Restore Domus Aurea and the Roman Forums", in the "Raffaele Fabretti" Foundation in Rome, Italy
An early practice of Neo-Ancient modern concepts can be traced back to the thought and writings of Raffaele Fabretti (1618-1700), an erudite antiquarian, historian and magistrate in charge for Ancient Ruins of Rome and the Secret Archives of the Vatican.
Fabretti, cultural adviser of several Popes, is considered an inspired founder both of Arcadia Movement and of Roman Archeology. His student and biographer Gio.Ba. Crescimbeni was the first curator of Arcadia and two of his students initiated the first archeological studies at the University of Sapienza in Rome.
According to Fabretti, reviving the Ancient could be achieved through a multiple international interdisciplinary action: 1) scientific studies of mathematics, astronomy and naturalistic measurement; 2) comparative cultural, anthropological, historical and antiquarian studies; 3) hydraulic engineering and urban re-planning the Baroque Development of the City of Rome; 4) bucolic poetical arcadian academy reviving the ancient utopias of Classic Greece and Rome, about the harmony between mankind and its environment; 5) re-elaborating global proposals to governments, to comply technological and public investments with an ethical human development.
"Decoding Neo Ancient (DNA)" has therefore been defined by Giorgio Fabretti, historical anthropologist, descendant and living curator of the Raffaele Fabretti Foundation, as "The interdisciplinary scientifical and historical studies of the ancient projections into the present and the future, decoding historical cyclic cultural patterns along naturalistic evolutionary lines, critical of human self-referential and technological excesses."
The object of such "Decoding Neo Ancient" (DNA) has also become the finality of an International Foundation based in Rome, with extensions in Greece and Great Britain since recent years.
Many Neo Ancient decoding researches and analysis have been published by the DNA Foundation Members in half a century of intense activism and experimenting.
Here we quote the studies of Piero Meogrossi on the reviving "Forma Urbis" of Ancient Rome, or of Giorgio Fabretti on the comeback of Ancient Frugivorism, or of the 'Theory of All' the historical recurrences. They will be systematically collected in the archivist work in progress of the Foundation.
On March the 6th, 2015, in the urban site of the "Raffaele Fabretti" Foundation in Rome, Via Nicola Salvi 68, the Neo Ancient comparative method of Fabretti, of re-proposing the Ancient Aqueducts as a Baroque Key to continue Roman Greatness, was again illustrated to the audience.
Updating Raffaele Fabretti method, his descendant Giorgio Fabretti announced to all the many participants the constitution of a new operative foundation entitled "DNA - Decoding Neo Ancient", and proposed to the meeting the following practical application of the “Decoding Ancient Rome Now” method to the central archeological area of Rome.
Today is impossible to decode the central archeological area of Rome because Mussolini did build an enormous motorway that cuts and covers the five central squares: the 5 Forums, the pulsing heart of Ancient Rome.
Being hyper provincial, Mussolini conceived the ancient ruins as a scenery for military parades together with Hitler.
His interpretation of the show road of a New Roman Empire was so tragically powerful and unrealistic, that was used to seduce the Italians into waging a lost war against Soviet Union, France, Albania, Greece, Egypt, English and American "plutocratic empires", all at the same time, without even having proper shoes for his soldiers.
Defeat and unprecedented national humiliation followed. The relics of that wrong Fascist Neo Ancient was the "Way on the Forums", a sort of vain imitation of the Champs Elysee in Paris. The crucial difference was that the "Way on the Forums" buried alive true visible unique remains of Ancient Rome, now protected as Unesco World Heritage.
Therefore, supported by the “Raffaele Fabretti” Foundation, it has been illustrated a plan in the spirit of Unesco, for a minimal restore of the central archeological area between the Colosseum and Venice Square, to make it decodable by the visitors in its Neo Ancient conception.
The 7 Archeological Transitional Sceneries will be - walking from the Colosseum to Venice Square:
1) From the Domus Aurea Oriental Palace straight into the Flavian Amphitheatre, and vice versa; a passage across two different conception of Civilization: from Nero' aesthetic despotism to the Flavian manipulating modern mass society.
2) The Ancient Velia Hill as a frame of the Colosseum Sacred Valley and the Renaissance Garden of 15th Century restored Villa Rivaldi, a precious antiquary of renaissance rediscoveries of Imperial Rome.
3) The Templum of Peace, a large Forum cornered by the original Map of Ancient Rome and by the hugest medieval Conti's Tower: a true transitional scenery from Ancient to Medieval Rome.
4) The Transitorium Nerva Forum, that a monumental corridor linking the Suburra popular neighborhood, still crowded and alive today, to the Ancient Public Squares: a meditative passage across a regenerated ancient site into a silent monumental area.
5) The Forum of Augustus, seen from the balcony of Alessandrina Way as a scenery for public screening of virtual reconstructions of the ancient site in time, under the renaissance balcony of the Cavaliers of Malta.
6) The huge Trajan Forum overseen by the spectacular gallery of the Trajan Markets, the mist ancient shopping mall, under the towering medieval Tower of Militias: a true square and stage to show the Ancient Stone Movie encoded in the Trajan Column.
7) The Cesarean Forum under the towering Senatorial Curia, bordering the Republican Forum, to decode the historical passage from the Agrarian Republican Rome to the Military Imperial Rome.
7 archeological passages of Ages to decode now the Ancient Greatness of Rome, a cultural ability of encoding the Spirit of Ages into a stratified syncretic Present; a decoding readable 'ever new' Ancient.
It will then finally still be possible from all directions, a pedestrian and electric cycle crossing of the seven separated archeological (Domus Aurea and Colosseum Valley, Velia Hill and 5 Forums) environments, between the Colosseum and Venice Square, along two paths, being the left on the gardens facing the Curia, and the right on Corrado Ricci square and the Alessandrina Way facing the Augustus Forum.
To conclude:containment of Mental or Ideological Social Fantasies through Scientific Historical Naturalistic Links to DNA, is a peculiar duty of a Decoding Neo Ancient, as long as it allows drawing stochastic lines of action from the Past to the Future. A Neo Ancient attitude to decode what can be preserved and what can be mutated, is a practical insurance for Progress to pass the natural selection as the fittest one.
Cultural adaptive human skills are like steam engines. They are powerful as long as a self-regulating feedback Watt valve is applied to let out steam in excess, and to avoid imploding effects.
Otherwise miscalculation of the side effects of human environmental manipulations, can promote apparently new successes that cause explosions and self-destructions.
It happens when the New ignores the Ancient, where it comes from. That is the case when a compromising New Ancient can instead be respectful of longer lasting laws of nature, and avoid painful compensations.
Decoding Neo Ancient is after all a stochastic rebalancing function in non-linear thermodynamic human environments. The more is the technological activism, the more it needs to be moderated by encoding Neo Ancient.
That is why "DNA Foundation", announced on March the 6th 2015, will be a 'Futuristic tool from the Past': "Futuristic Ancient" is its paradoxical realistic definition.