Authors: Sai Venkatesh Balasubramanian
In this article, the masterpiece of Dikshitar and by extension all of Carnatic Music, namely the ninth Avarana Krithi of Sri Yantra worship in Aahiri Ragam is discussed in detail, diving deep into its philosophical and spiritual significance. The song is understood to the philosophies of all the nine Avaranas into a single composition, merging seamlessly the Vibhaktis, Yoginis, Avarana concepts and Devatas. Thus, it is concluded that this song is a pinnacle of Muthuswami Dikshitar, of Carnatic Music, of Navavarana Concept and of Sri Vidya itself, extolling Kamalambal by viewing the Mother Lalitha as the very Sat-Chit-Aanandam Parabrahman.
Comments: 15 Pages.
[v1] 2017-01-06 05:35:04
Unique-IP document downloads: 155 times
Vixra.org is a pre-print repository rather than a journal. Articles hosted may not yet have been verified by peer-review and should be treated as preliminary. In particular, anything that appears to include financial or legal advice or proposed medical treatments should be treated with due caution. Vixra.org will not be responsible for any consequences of actions that result from any form of use of any documents on this website.
Add your own feedback and questions here:
You are equally welcome to be positive or negative about any paper but please be polite. If you are being critical you must mention at least one specific error, otherwise your comment will be deleted as unhelpful.