The study aims to be an application of the neutral-neutrosophic theory of Florentin Smarandache on the fundamental nucleus of Aesthetics: Beauty-Ugly. If a history of Beauty may resort to a long series of theoretical proofs (of which one can deduce the taste of a certain age), a history of Ugliness can at most to look its documents through visual or verbal representations of certain things or beings perceived somehow as "ugly". But if from a point of view one is Beauty and subsequently in time and space this is Ugly, then we can say that we are in a neutrosophical situation. In all ages, “philosophers and artists have proposed definitions of Beauty; thanks to their testimonies can thus reconstruct a history of aesthetic ideas over the time. But other things were with the idea of Ugly. Most often, Ugly was defined in opposition to the Beauty, but almost never have been dedicated ample studies, but some hints in parenthesis or some marginal notes” as U. Eco asserts (Eco, 2005).
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